Does your novel, memoir, or pitch need fresh eyes?
Expert developmental editing for commercial fiction, memoir, and academic writing
As Head of Editorial at NAC Literary Agency and a traditionally published author, I’ve guided over 100 manuscripts from draft to publication-ready. I understand what agents and publishers want because I work with them regularly.
Would you like a complimentary 25-minute conversation about your project or a free 3-page sample edit?
Click “What I offer” (above) to learn about my different packages.
My Editorial Approach
I specialize in refining the essential elements that make a manuscript shine: structure, character development, pacing, theme, and point of view. There's nothing I enjoy more than helping writers sharpen a cliffhanger, layer in perfect foreshadowing, and artfully balance backstory—while ramping up tension and building suspense that keeps readers turning pages.
What I Edit
Fiction: commercial fiction, “women's” fiction, literary fiction, romance (all heat levels), suspense, thrillers, mystery, crime, LGBTQIA+ fiction, YA, sci-fi, and MG
Nonfiction: Memoir, academic articles, PhD theses, and popular culture pieces
Credentials That Matter
Active member of IPEd (Institute of Professional Editors Limited)
Head of Editorial at NAC Literary Agency
Published author represented by Jill Marsal of Marsal Lyon Literary Agency
Former resident creative writing teacher at Kensington Neighbourhood House
Editorial partner for emerging and bestselling authors across genres
Whether you're publishing your first book or your fifteenth, my goal is making your writing project the best it can be—vivid, compelling, and ready to find its audience.
Below are some videos and testimonials from clients.
Tip: Index cards tricks
Dr. Bella's editing tip for nanowrimo (national novel writing month)
Talking memoir
Writer seeking solitude
Tip: Character motivation
Editing tip: one plot thread at at time
Testimonials
Worldwide bestseller, Glenn Kleier. Prophet of Queens (thriller)
“Over the years I've had the privilege and pleasure of working with some outstanding editors, and I must say, Bella’s eyes are among the best. The whole point of editing is to make clear to the writer issues she/he is simply too myopic to spot. I found myself nodding in agreement with regularity. Always her suggestions were food for thought and stimulated much reflection.”
USA Today bestselling author, Jessie Cal. Memories Lost (romantic suspense)
“I am so grateful for Bella's expert eyes on my manuscript. She not only pointed out basic errors but also made me think about why I had made the choices I had made. Her editorial help has made me a better writer.”
Bestselling author, Katia Rose. Latte Girl and Your Rhythm (romance)
“Bella's critiques have been professional, trustworthy, and immensely helpful to me as an author. She delivers concise and actionable feedback that goes beyond simply 'liking' or 'not liking' elements of a story; her suggestions are all thoroughly explained and easy to incorporate into the editing process. I'd highly recommend her to any author looking for honest and encouraging insight on their work.”
Tina Bruce. Big Little Breath (memoir)
Bella has a stunning gift for storytelling. Her expert mind could see the potential in my book, its title and my writing abilities before I could. As an editor, every suggestion she made improved the memoir and inspired me to dig deeper. Bella cuts right to the core and knows the value of creating a visceral experience for the reader. A beautiful person and utter professional at her craft. I'd recommend Bella to any author!
Sarah Hawthorn. The Dilemma (historical fiction)
Bella’s structural and copy edits are spot on and have been invaluable in helping to shape my historical narratives. She has a knack for seeing how to strengthen a story and develop deeper reader engagement.
Vanessa Carnavale. The Memories That Make Us (women’s fiction)
“I know I can rely on Bella not only for honest and useful feedback, but great brainstorming. She helps me draw out the essence of my stories, my character’s motivations, and what will make for an even stronger plot. She understands the elements of good fiction and I’m sure her clients will love working with her!”
Ann Warner. The Babbling Brook Naked Poker Club - Book Four and Book Fire (cozy mystery)
“Being able to critique a novel in a way that the author will find both constructive and inspiring is a gift. And Bella has it. Along with encouraging words, I found Bella wielding a scalpel-like acuity to the weak premises, overly wordy prose, and unnecessary repetitions in my most recent novel (and the one before that). Using her critiques as guides during revisions has enabled me to vastly improve two of my books (and counting).”
Kate Foster. Paws (middle grade)
“Bella’s input on the opening chapters of my MG contemporary were immensely helpful. I incorporated her detailed feedback and these changes led to me signing with my agent.”
E.J. Mara. Basic and Almost Friends: The South Louisiana High Series (young adult)
“Bella is amazing to work with. Direct yet encouraging, she inspires writers to produce their very best work. After pouring over my manuscript, she offered insights that refined the story's plot and character development. She also pointed out how I could improve my writing style and highlighted the grammatical errors I'd missed. An editor with Bella's writing experience and her analytical brain is an absolute must for any writer!"